CODAzine

CODAworx Newswire: June 2026

Written by CODAzine | Jun 24, 2026 4:02:04 AM
 

StudioEIS + Art Research Enterprises, Inc. team up to create the sculpture at the entrance of the Museum Tower at the Obama Presidential Center in Chicago

Trusted with a piece of history, projects at presidential centers become more than public art installations. They become part of these places of learning, reflection, and civic engagement that continue to serve communities for generations. Being entrusted with even a small role in that legacy is an honor.

Massive Tieton Mosaic’s “Migration” adds color and sparkle to Seattle-Tacoma airport

A massive new outdoor art installation by Tieton Mosaic is a public art project commission for the airport and the Port of Seattle. “Migration” was installed in May. Seen from vehicles, it greets visitors and passengers as they approach the terminal at the departures level. The artwork, which covers about 200’ of a 460’ long concrete wall. It is also visible from the Link Light Rail platform. The piece is an artistic collaboration between Ed Marquand of Tieton and Angelina Villalobos, a Seattle-based muralist, painter and illustrator.

The AGAR from Cincinnati Ohio to Sydney, Australia

Justin Brookhart & Andrew Salzburn of AGAR are on site in Sydney, Australia as they launch a new project they curated and produced as part of this year's Vivid Sydney. This project connects Cincinnati projection artist Chaske Haverkos with Australian street art legend Sofles to create something original for the festival.

Flux Projects brings a whimsical experience to midtown Atlanta

Flux Projects launched their Small Moments of Happiness series in mid-June with installations by visual artists Sam Lasseter and Dorothy O’Connor. This work inviting viewers to look up in wonder to see playful monkeys and soaring birds in the trees along Peachtree Street, between 15th St and 16th St. Both installations will be on view until July 20.’

FUSE*

Luna Somnium was born in 2022 inside the Gazometro in Rome: the 18-meter inflatable sphere was suspended within the metal structure of the building and projected from all sides. For a long time, this dependency on a host architecture defined the boundaries of what the work could be and where it could travel. Last November, at Noor Riyadh 2025, fuse* devised a new way to exhibit the work that was not dependent on a permanent structure. In this case, the 10-meter sphere was supported by a self-standing structure we designed specifically for this occasion. Thanks to this opportunity, Luna Somnium can now exist in a square, a park, any open space large enough to hold it. The work is no longer tied to a specific architecture; it can travel freely. fuseworks.it

Do you have news, stories, or projects to share? Reach out to editor@codaworx.com